Video recording of a performance of Telemann’s cantata “Abscheuliche Tiefe des gro\u00dfen Verderbens”, TWV 1:1 with Dina K\u00f6nig (alto), Claire Genewein (traverso), Zo\u00eb Matthews (fagottino), Bernadette K\u00f6bele (violoncello), Han-na Lee (organ). Produced by Leonardo Bortolotto.
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\u3010\u7814\u8a0e\u6703\u8cc7\u8a0a\u3011 \ufe0f
\ud83d\udd14\u65e5\u671f\uff5c2\u670824\u65e5\uff08\u4e94\uff09-2\u670825\u65e5\uff08\u516d\uff09 Feb. 24 (Fri.)-Feb. 25 (Sat.)
\ud83d\udd14\u9023\u7d50\uff5cwww.musik-akademie.ch\/de\/veranstaltungen\/streaming.html<\/p>\n\n\n\n
This symposium comes at the end of two research projects of the Swiss National Science Foundation (SNSF), in which small-sized bassoons of the 18th and 19th centuries were studied in detail. More than 120 historical instruments have meanwhile been identified, including some from the most renowned workshops of the time, further underscoring their importance.<\/p>\n\n\n\n
The project team of the Schola Cantorum Basiliensis will present its research results, accompanied by international guests. Organological questions will be discussed as well as the musical function of the small bassoons, the surviving repertoire and performance practice. Special attention will be paid to the aspects that arise during the production of copies and replicas. In the course of the project, copies were made using traditional handicraft methods as well as 3D printing. In addition to scientific perspectives however, impulses for practice are also to be set, especially in performance and historically-informed pedagogy. A concert with selected repertoire will demonstrate that with small bassoons, a hitherto unknown but attractive colour could be regained for the instrumentarium of the 18th and 19th centuries.<\/p>\n\n\n\n
Referent:innen\/Speakers<\/p>\n\n\n\n
Donna Agrell (SCB), \u00c1urea Dom\u00ednguez (SCB), Thomas Drescher (SCB), David Gasche (Graz), Giovanni Graziadio, (SCB), Klaus Hubmann (Graz), James Kopp (Portland, OR), Kelly Landerkin (SCB), Vincenzo Onida (Mailand\/Milan), Zo\u00eb Matthews (SCB), Ricardo Simian (Oslo), Letizia Viola (SCB)<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":" 2\/24-2\/25 \u745e\u58eb\u570b\u7acb\u5df4\u585e\u723e\u53e4\u6a02\u5b78\u9662\u7684\u570b\u969b\u53e4\u6a02\u5668\u65b0\u7814\u7a76\u767c\u8868\u6703\u300a\u53e4\u4f4e\u97f3\u7ba1\u7684\u5c0f\u5de8\u4eba-\u6b77\u53f2\u5c0f\u4f4e\u97f3\u7ba1\u300bSympo […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[1,19,18],"tags":[],"class_list":["post-13780","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-19","category-18","entry"],"_links":{"self":[{"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/13780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=13780"}],"version-history":[{"count":2,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/13780\/revisions"}],"predecessor-version":[{"id":13785,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/posts\/13780\/revisions\/13785"}],"wp:attachment":[{"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=13780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/categories?post=13780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.music.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/tags?post=13780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\ud83d\udccc2\/24 9:30 \u745e\u58eb\u6642\u9593 CET \uff08\u53f0\u7063\u6642\u9593TAIWAN CST 16:30\uff09Feb. 24 (Fri.)
\u300a\u5c0f\u4f4e\u97f3\u7ba1\u548c\u5176\u4ed6\u201c\u4e0d\u5728\u97f3\u5340\u7bc4\u570d\u5167\u201d\u7684\u6a02\u5668\u300b
Small Bassoons and Other Instruments \u201cOut of the Register\u201d \u2013 An Introduction
\u8b1b\u8005\uff5c\u53e4\u6a02\u5b78\u9662\u524d\u9662\u9577-Thomas Drescher (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc10:00 \u745e\u58eb\u6642\u9593 CET\uff08\u53f0\u7063\u6642\u959317:00\uff09
\u300a\u6cd5\u570b\u4f4e\u97f3\u7ba1\u540d\u5bb6-Savarys\u7684\u5c0f\u4f4e\u97f3\u7ba1\uff0c\u80cc\u666f\u548c\u98a8\u683c\u300b
Small Bassoons by the Savarys: Context and Style
\u8b1b\u8005\uff5c\u7f8e\u570b\u4f4e\u97f3\u7ba1\u5bb6-James Kopp (\u6ce2\u7279\u862d Portland, OR)
\ud83d\udccc11:00 \u745e\u58eb\u6642\u9593 CET\uff08\u53f0\u7063\u6642\u959318:00\uff09
\u300a\u9ad8\u97f3\u57df\u6587\u85dd\u5fa9\u8208\u4f4e\u97f3\u7ba1\u7684\u8d77\u6e90\u3001\u95dc\u4fc2\u548c\u66f2\u76ee\u300b
\u00dcberlegungen zu Herkunft, Verbreitung und Repertoire des hochgestimmten Dulzians
\u8b1b\u8005\uff5c\u5967\u5730\u5229\u53e4\u4f4e\u97f3\u7ba1\u5bb6-Klaus Hubmann (\u683c\u62c9\u8332Graz)
\ud83d\udccc11:45 \u745e\u58eb\u6642\u9593 CET\uff08\u53f0\u7063\u6642\u9593TAIWAN CST 18:45)
\u300a\u5c0f\u578b\u4f4e\u97f3\u7ba1\u7684\u5927\u5bb6\u5ead\uff1a\u6a02\u5668\u985e\u578b\u548c\u6b77\u53f2\u300b
Extended Family of Small Bassoons: Instrument Types and History
\u8b1b\u8005\uff5c\u897f\u73ed\u7259\u53e4\u4f4e\u97f3\u7ba1\u5bb6\uff5c\u00c1urea Dom\u00ednguez (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc14:00 \u745e\u58eb\u6642\u9593 CET\uff08\u53f0\u7063\u6642\u9593TAIWAN CST 21:00)
\u300a\u5c0f\u4f4e\u97f3\u7ba1\u5927\u96dc\u71f4-\u5931\u50b3\u7684\u8b49\u64da\u300b
Fagottino Potpourri \u2013 Evidence of a Lost Practice
\u8b1b\u8005\uff5c\u7fa9\u5927\u5229\u53e4\u4f4e\u97f3\u7ba1\u5bb6-Giovanni Graziadio (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc14:45\u745e\u58eb\u6642\u9593 CET \uff08\u53f0\u7063\u6642\u9593TAIWAN CST 21:45)
\u300a18 \u4e16\u7d00\u6f22\u5821\u53ca\u5176\u5468\u908a\u5730\u5340\u4f7f\u7528\u5c0f\u578b\u4f4e\u97f3\u7ba1\u7684\u8b49\u64da\u300bThe Hamburg Link \u2013 Evidence of Small Bassoon Use in and around Hamburg in the 18th Century
\u8b1b\u8005\uff5c\u82f1\u570b\u53e4\u4f4e\u97f3\u7ba1\u5bb6-Zo\u00eb Matthews (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc15:45\u745e\u58eb\u6642\u9593 CET \uff08\u53f0\u7063\u6642\u9593TAIWAN CST 22:45)
\u300a\u548c\u8072\u3001\u571f\u8033\u5176\u97f3\u6a02\u548c\u8ecd\u6a02\u80cc\u666f\u4e0b\u7684\u6b21\u4e2d\u97f3\u7ba1\u300b
Die Frage des Tenor-Fagotts im Kontext der Harmonie, t\u00fcrkischen Musik und Milit\u00e4rmusik
\u8b1b\u8005\uff5c\u5967\u5730\u5229\u79d1\u5b78\u5bb6-David Gasche (\u683c\u62c9\u8332Graz)
__________________________________
2\u670825\u65e5 Feb. 25 (Sat.)
\ud83d\udccc9:30\u745e\u58eb\u6642\u9593 CET (\u53f0\u7063\u6642\u9593TAIWAN CST 16:00)
\u300a\u65b0\u5de5\u85dd\uff0c\u548c\u6a02\u5668\u88fd\u4f5c\u7684\u672a\u4f86\u300b
Neo Crafts and the Future of Instrument Making
\u8b1b\u8005\uff5c\u6587\u85dd\u5fa9\u8208\u89d2\u865f\u5bb6\/3D\u5217\u5370\u6a02\u5668\u5e2b\u5085-Ricardo Simian (\u5967\u65af\u9678 Oslo\uff09
\ud83d\udccc10:15 \u745e\u58eb\u6642\u9593 CET (\u53f0\u7063\u6642\u9593TAIWAN CST 17:15)
\u300a\u91cd\u5efa\u5c0f\u4f4e\u97f3\u7ba1\u2014\u6a02\u5668\u88fd\u9020\u5e2b\u7684\u89c0\u9ede\u300b
Reconstructing Small-Sized Bassoons \u2013 a Builder\u2019s Standpoint
\u8b1b\u8005\uff5c\u7fa9\u5927\u5229\u53e4\u4f4e\u97f3\u7ba1\u5bb6\/\u53e4\u4f4e\u97f3\u7ba1\u5e2b\u5085-Vincenzo Onida (Milan)
\ud83d\udccc11:15 \u745e\u58eb\u6642\u9593 CET (\u53f0\u7063\u6642\u959318:15)
\u300a\u6b77\u53f2\u4f4e\u97f3\u7ba1\u7c27\u7247\u88fd\u4f5c\u6559\u5b78\u6cd5\uff1a\u5c0b\u627e\u5b8c\u7f8e\u7684\u5951\u5408\u300b
Historical Bassoon Reed-Making Pedagogy: Developing a Perfect Fit
\u8b1b\u8005\uff5c\u5df4\u585e\u723e\u53e4\u6a02\u5b78\u9662\u524d\u53e4\u4f4e\u97f3\u6559\u6388\/\u6d77\u7259\u7687\u5bb6\u97f3\u6a02\u9662\u53e4\u4f4e\u97f3\u7ba1\u6559\u6388\/\u5341\u516b\u4e16\u7d00\u53e4\u6a02\u5718\u4f4e\u97f3\u7ba1\u5bb6-Donna Agrell (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc14:00\u745e\u58eb\u6642\u9593 CET (\u53f0\u7063\u6642\u9593TAIWAN CST 21:00)
\u300a\u201c\u2026\u2026\u4ed6\u5011\u4e5f\u4e0d\u80fd\u907f\u514d\u5b78\u8005\u5011\u72af\u4e0b\u7684\u932f\u8aa4\u2026\u2026\u201d \u6839\u64da\u53f2\u6599\u5c0d\u6559\u5b78\u7684\u4e00\u4e9b\u8a55\u8ad6\u300b
\u201c…nor can they obviate the devious errors of scollars…\u201d \u2013 Some Remarks on Teaching According to the Sources
\u8b1b\u8005\uff5c\u53e4\u6a02\u5b78\u9662\u4e3b\u4efb\/\u53e4\u6a02\u8072\u6a02\u5bb6-Kelly Landerkin (\u5df4\u585e\u723eSCB, Basel)
\ud83d\udccc14:30 \u745e\u58eb\u6642\u9593 CET (\u53f0\u7063\u6642\u9593TAIWAN CST 21:30)
\u300a\u6b77\u53f2\u4f4e\u97f3\u7ba1\u7684\u6559\u5b78\u61c9\u7528\u300b
\u8b1b\u8005\uff5c\u7fa9\u5927\u5229\u53e4\u4f4e\u97f3\u7ba1\u5bb6-Letizia Viola (\u5df4\u585e\u723eSCB, Basel)
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Final Discussion<\/p>\n\n\n\n![\"\"](\"https:\/\/www.music.ntnu.edu.tw\/wp-content\/uploads\/2023\/02\/BASEL_01-1024x724.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/www.music.ntnu.edu.tw\/wp-content\/uploads\/2023\/02\/BASEL_02-1024x724.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/www.music.ntnu.edu.tw\/wp-content\/uploads\/2023\/02\/BASEL_03-1024x726.jpg\")
<\/figure>\n\n\n\n